| I learned to sew watching my
mother do alterations on women's clothing while I did my
homework at the kitchen table.
One summer day while my sister was
watching me, I made a sleeveless blouse out of my mother's
tablecloth and sewed the ball fringe from the curtains on the
bottom. I was 7. Oblivious to the dangers of using
my mother's sewing machine and cutting up her possessions, it
was amazing to me she allowed me to continue using it and all
the attachments. I had the best doll clothes. This
is when Benitaworks truly started.
It seemed fabric always attracted
me. The textures, the colors, the patterns and all the
possibilities. No piece was too small, too weird or
unusable. It needed to be rescued, saved, given another
purpose, or too good to throw away.
Humor has also been an important
part of my pieces. Things needed to be fun, light hearted,
have a human characteristic or an ironic twist on an idea.
Since most of my work involves an incredible amount of time to
produce requiring long periods of time alone in my studio.
This is where my animals find me.
They come because my worktable is a lovely flat branch, the
fabric soft to dig their claws in and they can destroy so much
in so little time. I use them for subjects in my work as
so many people respond favorably to them.
|
Education and Work Experience |
| Masters in
Textile Design |
School of Art Institute
of Chicago |
| Textile
Instructor |
Cleveland Institute of
Art |
| |
School of the Art
Institute of Chicago |
| Exhibits |
May Show, American Craft
Council, Art Institute of Chicago, Lakeland College Fall
2008 |
| Work |
Designed textiles,
carpet, plush toys, wallpaper, pillows & quilts |
| Prototype
Designer |
Purses, toys, displays,
bedding, etc. |
|